Lands squarely on the ideal side of weird and, although often maddening to watch, it happily never sinks to the most irritating levels of cinematic pretension that often suffocates most art house fare.
Lands squarely on the ideal side of weird and, although often maddening to watch, it happily never sinks to the most irritating levels of cinematic pretension that often suffocates most art house fare.
This isn’t a bad movie and it’s certainly not unwatchable, but it’s a definite stumble for the usually fantastic Zellners.
This isn’t a bad movie and it’s certainly not unwatchable, but it’s a definite stumble for the usually fantastic Zellners.
The sleazy, bleak, and primal low budget crime thriller “Good Time” feels like a cinematic punch in the face.