Tag Archives: Pedro Pascal

“Kingsman: The Golden Circle”

LOUISA: 3.5 STARS


LOUISA SAYS:

From the moment I first saw “Kingsman: The Secret Service,” I knew it was something truly special. It topped my Top 10 Best Movies of 2015 list in the coveted number one slot and after multiple viewings, cemented itself among my favorite movies of all time. To say my expectations for “Kingsman: The Golden Circle” were high is something of an understatement. The original film was a rare one that begged for a sequel and I’m glad we’ve been handed one, but I really wish it was better than it turned out to be.

I want to be clear that while this film is disappointing and mostly lacking in intelligence, charm and wit, it still has its moments and the glorious, hyper violent end action sequence is a ton of fun. But it’s impossible to overlook what amounts to a relentless dumbing down of the entire “Kingsman” franchise in a lame attempt of desperation to outdo its predecessor.

When the Kingsman HQ is blown up by missiles launched by the drug peddling super villain Poppy (a delightfully psycho, hammy performance from Julianne Moore), our hero Eggsy (Taron Egerton), back-from-the-dead Harry (Colin Firth), and loyal sidekick Merlin (Mark Strong) join up with their American counterpart, the Statesman. Champ (Jeff Bridges) runs the secret organization and heads the team, including Tequila (Channing Tatum), Whiskey (Pedro Pascal) and Ginger (Halle Berry). With their exaggerated Southern accents, ten gallon cowboy hats, and bloated swagger, the filmmakers seem to have mistaken Kentucky with Texas. The Statesman crew is enjoyable (although Tatum is completely wasted), but Pascale becomes the scene stealer with his 1970s macho Burt Reynolds bravado.

The film confuses a string of stunt casting with meaningful humor, and overall the project lacks creativity and the pulsing mean streak that made the first movie feel so original. Instead of another smart and snarky send-up of James Bond movies, audiences are forced into two and a half hours of aggressively tiresome repetition (we see characters dumped into a meat grinder twice and an extended, distracting celebrity cameo that quickly wears out its welcome as it balloons into a supporting role) and callbacks to the first film that serve as reminders of the sequel’s role as a pale imitator. Worst of all, the film is missing its clever, subversive humor. The smart satire is tossed out the window in favor of more slam-bang action sequences and animated spy weapons like an electric lasso. It’s violent fun, but it’s missing that spark that made the original film so beloved by film nerds.

Most disappointing is the film’s opening car chase scene, an awkward, CGI mess through London’s streets. I’m so disappointed that real stunt drivers and practical effects weren’t used, making this the second most frustrating animated car sequence this year since “The Fate of the Furious” and the awful looking parking garage bit. Perhaps I should refer to my disappointment as the “Baby Driver” effect: if you’re going to have cars in your movie, then put actual cars in the frame and talented drivers behind the wheel.

Once the plot delves into a truly irrelevant and weird message about the stigma of drug use, it skids off the rails in a spectacular fashion. Instead of steering itself back on track with a trademark crackerjack smugness, director Matthew Vaughn visually says “screw it” and goes full blown overkill, making the film feel like he was hell bent on trying to outdo himself rather than making a quality film. This sequel tries too hard and the film suffers for it. This doesn’t necessarily make “Kingsman: The Golden Circle” a total dud, but it is very disappointing to those of us who are super fans of the original.