Part art house film and part true crime tabloid serial, the jumbled, wacky true story is perfectly conveyed through this suitably oddball movie.
This tedious, arrogant film is precisely the type of pretentious, style-over-substance, arty crap that makes audiences hate movies like this.
“Tag” is an enjoyable ode to lifelong relationships, a comedy with heart, and one that instills the value of true friendship and reminds us that we’re never too old to play.
“Beirut” feels like a throwback to old school political thrillers of the past and delivers little fresh or trendy by way of its story line.
The film’s perfection lies in its imperfections.