A mildly effective continuation of a beloved franchise rather than an inventive standalone movie that carves its own identity, but it sure is fun.
A mildly effective continuation of a beloved franchise rather than an inventive standalone movie that carves its own identity, but it sure is fun.
Oof. The first real stinker of SXSW 2021 has landed.
The breezy, casual attitude accompanied by action-packed shootouts and fistfights make this one a goofy, feminist good time.
After 90 minutes of this exasperating stupidity, why bother writing a review?
If you’re hesitant to see “The Girl on the Train” because you fear that it will be too much like “Gone Girl,” you’re on to something.