Tag Archives: Chloe Grace Moretz

“I Love You, Daddy”

LOUISA: 1 STAR


LOUISA SAYS:

As a critic, I try to distance myself from an actor or filmmaker’s personal life because I find it unfair to punish all of the other cast and crew who worked tirelessly on a film, but the subject matter of the Louis C.K. co-written and directed “I Love You, Daddy” makes it damn near impossible. The Orchard (the studio behind the movie) hastily pulled it from theaters, and now I can see why they made this incredibly good move.

The film feels like a disturbing prophecy of Louis C.K.’s recent unmasking regarding his admitted abuse of power and sexual harassment of women. There’s an ugly, icky, and cringe-worthy undertone to the project now, its story existing in the heavy shadow of the director’s own scandal. Perhaps you can say that C.K. writes what he knows, with tone-deaf gags that objectify women, a character with a penchant for dating underage girls, and several lines encouraging people not to believe sexual predator rumors (yes, really). In what was likely meant to be a provocative, brutal look at the entertainment industry instead comes off and downright gross and appalling given what we now know about the man.

The story centers around television producer Glen (C.K.) and his spoiled teenage daughter China (Chloë Grace Moretz). Glen idolizes legendary film director (and reported pedophile) Leslie (John Malkovich), but he starts to worry when China insists on spending time with the man. The supporting cast is largely female, including Glen’s ex-wife Aura (Helen Hunt), ex-girlfriend Maggie (Pamela Adlon), movie star Grace (Rose Byrne), and his production partner Paula (Edie Falco). Charlie Day shows up as sarcastic actor Ralph and has one of the most disturbing scenes in the entire film (again, due to what we now know about C.K.’s behavior), as he pantomimes exactly what C.K. has admitted to doing in his office in front of women. Yuck.

The characters are insufferable, a gaggle of rich and privileged white people who crack jokes at the expense of Jews and African-Americans, and try to wring inappropriate laughs out of sexual harassment antics and animal cruelty. The film is packed with irritating insider Hollywood references too, making it the type of film that Hollywood types love: arty black and white cinematography, mentions of the business side of the entertainment industry, and the pet project of a (formerly) hot comedian. Oops.

Content aside, the film is technically a misfire. Instead of presenting an original vision, C.K. comes across as a wannabe Woody Allen with a copycat score and monochromatic cinematography. The film is poorly directed with sloppy camera movements too, like he took a master class in bad sitcom directing.

Misogyny rears its ugly head throughout, and there’s a particularly unpleasant riff on feminism and female empowerment that just plain makes me angry and makes my blood boil to think C.K. himself penned it. By the end of the film, Glenn eventually apologizes to all of the women in his life but for them (and for me), it’s far too late.

“Neighbors 2: Sorority Rising”

LOUISA:  3.5 STARS MATT: 4 STARS


LOUISA SAYS:

“Neighbors 2: Sorority Rising” is the latest recycled sequel to a movie that wasn’t good in the first place (2014’s “Neighbors“). I had zero expectations for this movie and I’m surprised to say how much I enjoyed it! This movie is silly and absurd and requires viewers to seriously suspend disbelief, but it is really quite funny and — surprise! — smartly insightful. The rapid pacing kept me thoroughly entertained and the jokes kept me laughing. These weren’t just a few chuckles, this was hearty, sustained laughter. Comedy is subjective, but I found “Neighbors 2” hilarious.

Most of the original cast is back, including co-stars Dave Franco, Ike Barinholtz, and Carla Gallo. Parents Mac (Seth Rogen) and Kelly (Rose Byrne) are expecting baby number 2 and have just sold their house. They have a 30 day escrow period where the buyers are encouraged to stop by unannounced at any time (see where this is going)?

Flash to the local college where a fraternity party is in full swing. Socially awkward and slightly geeky freshmen Shelby (Chloë Grace Moretz), Beth (Kiersey Clemons), and Nora (Beanie Feldstein) cross paths at the party, are disgusted by its “rapey” atmosphere, and decide to move off campus and start their own sorority, Kappa Nu. When the Kappas rent the house next door, they team up with former frat king Teddy (Zac Efron) for advice on how to grow membership, raise capital, and of course, throw killer parties. When the sorority girls have a run-in with their neighbors, the formula from movie #1 kicks into gear and the war begins.

This isn’t a lazy film, however; many of the gags from the first film are NOT recycled. The big twist is that Efron teams up with Rogen and Byrne to fight against the girls’ “right to party.” It’s a fun premise and it works. There are some truly inspired bits of comedy on display, making this one of the better sequels I’ve seen in a while. The actresses are likeable across the board, even when they repeatedly refer to Rogen and Byrne as “old people.” Efron and Rogen have an authentic, easygoing chemistry. The gags are goofy but amusing, with a good mix of both cerebral and physical humor. And there’s a pretty sweet scene involving a seriously buff, shirtless, dancing Efron and a grilled ham.

Despite the silly partying scenes, the movie has an unexpected strong, positive feminist message about girl power and friendship. I didn’t see it coming but I heartily applaud the filmmakers and writers for successfully doing more with what could’ve been another typical college party comedy. This movie is ambitious for cohesively mixing a gross-out comedy with a message movie — and it actually works. “Neighbors 2” is bawdy, funny and has a big heart. This movie surprised me, and I also think it’ll surprise you.

MATT SAYS:

“Neighbors 2: Sorority Rising” is the rare sequel that is not just better than the original, it’s significantly better. The trailer would have you believe that “Neighbors 2” is just the first movie all over again, except with a sorority this time instead of a fraternity. It isn’t.

In this movie, Mac (Seth Rogen) and Kelly (Rose Byrne) are still living in the same home with baby Stella (Elise Vargas) and getting ready to have a second baby. They are enjoying the peace and quiet that has come after the fraternity next door led by Teddy (Zac Efron) and Pete (Dave Franco) has long since left the house. Meanwhile, Shelby (Chloë Grace Moretz) and her friends have learned that, surprisingly, sororities in the Greek college system aren’t allowed to have parties. In response, they create their own sorority outside of the system and rent a house. . . and of course it’s the one next to Mac and Kelly.

There is much to like about this movie, starting with its attitudes — which are refreshingly progressive without feeling forced or preachy. In “Neighbors 2,” a major theme is gender equality: Shelby and her friends aren’t looking for boyfriends, and only want a place where they can enjoy college and sisterhood on their own terms. Gay marriage is treated seriously — this may be the first mainstream, R-rated adult comedy featuring a gay relationship that is never played for laughs.

The actors are all well within their element here and are obviously having fun with this material. Zac Efron, in particular, is delightful as Teddy and provides some of the best laughs of the film. Despite its similarity to the first movie, the jokes here don’t feel recycled. With the possible exception of Lisa Kudrow‘s character (Dean Gladstone), all of the returning characters feel like they have a reason for being here which isn’t “hey, do you remember me from the first movie?”

While the movie certainly deserves its R rating, it doesn’t rely on gross out humor to earn its laughs (with one notable exception). For the most part, it’s an inspired comedy and it’s worth seeing.

“The 5th Wave”

LOUISA:    4 STARS     MATT:   3.5 STARS


LOUISA SAYS:

The 15 year old girl in me was absolutely giddy and enamored with this movie. Even as an adult, I really, really liked it! “The 5th Wave” is similar to other young adult films like “The Hunger Games,” “Divergent” and “The Maze Runner,” but this classic kids vs. adults story demonstrates much more maturity and intellect than all of those films put together. This post-apocalyptic tale is as sophisticated as it is enjoyable, and it kept me completely entertained and engaged.

That’s not to say that there weren’t plenty of eye rolling moments (like the cue-the-harps dopey love story elements and a few of the plot twists and surprises), but at least these more unsuccessful elements come into play very late in the story: so late and so minor that they didn’t take away from the previous 90 minutes of good material. The storytelling is skilled, the disaster special effects are satisfying, and Chloë Grace Moretz gives another strong performance as Cassie, our heroine who goes from a carefree high school girl to a gun toting survivalist in less than 24 hours. Her character is one that will undoubtedly resonate with tween and teen girls.

There are some real surprises and unexpected turns to the story as well as some really, really, (REALLY) stupid plot elements. My advice is to let your suspension of disbelief take over and enjoy the ride. You just might be surprised at how enjoyable this movie is.

MATT SAYS:

One of the better entries into the recent rash of young adult movies, “The 5th Wave” is about an alien invasion that leaves most adults dead or powerless, and leaves the fight to the teenagers and children.

The film has a strong cold opening followed by a series of flashbacks that explain both the history of the invasion and the title. We learn how the main character, Cassie (Chloë Grace Moretz) was cut off from her friends and family. As a lone and lonely fighter trying to learn about the new, post-invasion world, Cassie’s struggles are compelling. When she finally connects with other people, the film remains interesting but logic in the storytelling quickly disintegrates. One of the big reveals seems to temporarily address one of the film’s huge plot holes, when it fact it only raises more questions that are hard to ignore.

What the movie gets right are the tone and the adolescent struggle, both macro (being forced to grow up quickly to deal with very adult problems) and micro (dealing with attraction, relationships, and love both romantic and familial). It’s an entertaining watch, but by the end the logical problems weigh a little too heavily to make this one to strongly recommend.