I do applaud the film for placing a greater focus on verbal wisecracks and refusing to use McCarthy’s real world physique as a cheap punch line.
“Tully”
There’s a decent story trapped somewhere inside that’s just waiting to get out, but “Tully” sadly misses the mark.
“Sweet Country”
Although at times it’s uncomfortable to watch, the film works as a distinguished, forceful statement on integrity, authority, and bigotry and is a strong entry for the genre.
“Overboard”
This is a perfectly passable example of what I call ‘cotton candy’ entertainment. It’s light, fluffy, and makes you feel good until you get the inevitable too-sweet tummy ache later.
“The Clapper”
The film’s thin premise lacks any compelling elements, is absent of any engaging characters, and eventually goes nowhere.
“The Week Of”
It’s a stale set up and no new comedy bounds are broken, but the “The Week Of” delivers the laughs and will surprise audiences with its genuinely sweet and heartwarming story.
Screen Zealots 