A faux true crime documentary that feels real until the story grows into an overly complicated, bizarre mess about time travel and the occult.
A faux true crime documentary that feels real until the story grows into an overly complicated, bizarre mess about time travel and the occult.
This tightly-edited thriller about a man locked in a Bigfoot trap is entertaining, intense, and has script with a surprising amount of depth.
The real horror of it all is the way director Chris McKay blows what should have been a slam-dunk premise.
The film’s themes are used as a plot device rather than in a meaningful way, and more could’ve been done with the ideas about retribution for abuse and the cycle of violence that is often fostered by toxic relationships.
This dialogue-driven supernatural drama about being haunted by the metaphorical (and literal) ghosts of the past has a wildly unpredictable story and substantial themes that make it a thinking person’s thriller.
Takes a thoughtful, interesting, and cautionary tale about the perils of modern dating and tacks on an icky third act that results in a massive misfire.