Directed by Eugène Green, “The Tree of Knowledge” is definitely not your average coming-of-age story. This strange, slow, and surreal fable about a teenage boy, a demonic pact, and the weirdness of modern life is told through a mix of magical realism, old school theatrical performances, and social commentary.
The film follows Gaspard (Rui Pedro Silva), a teenager living on the outskirts of Lisbon, who falls under the influence of a mysterious man known only as the Ogre (Diogo Dória). This guy has made a deal with the Devil that allows him to turn tourists into animals (literally) and then kill them. At first, Gaspard goes along with it, helping lure victims. But things shift when he starts to connect with the animals, particularly a donkey and a dog. Gaspard eventually decides to break free and escape the Ogre’s control, setting off on a surreal journey across Portugal.
This movie is full of big metaphors and strange moments, like pianos falling from the sky, ghost queens, and poetic monologues. Green leans heavily on biblical and folkloric symbolism, but his film is also very much rooted in modern issues like exploitation, mass tourism, and what it means to live in a society that treats people and animals like disposable products.
The film is visually beautiful but intentionally old fashioned, with handmade sets and carefully framed shots. This slow, quiet, and emotionally detached style won’t be for everyone, but if you’re into weird, thoughtful international films that mix fantasy with real world critique, there’s a lot to appreciate.
“The Tree of Knowledge” is a dark, dreamy, and totally offbeat fable about growing up, waking up, and figuring out what matters. It’s slow and a bit confusing at times, but also strangely moving and quietly profound. If you like magical realism, folk horror, or movies that feel like a philosophical bedtime story, this one’s worth a look.
By: Louisa Moore
Screen Zealots 