“Conclave”

I can count on one hand the films that made me audibly gasp in the theater, and “Conclave” is one of those few. Directed by Edward Berger and based on the novel by Robert Harris, this surprising, shocking story offers a commanding exploration of the exceptionally secretive world of the Vatican’s electoral process. With a high-stakes story (along with a whopper of a twist), an effective original score (by Volker Bertelmann), intelligent screenplay (adapted by Peter Straughan), handsome cinematography (from Stéphane Fontaine), and standout performances from the cast, this is one of the most compelling (and guaranteed to be talked about) films of the year.

Set against the backdrop of the Pope’s unexpected death, the film tells the story of the subsequent conclave of Cardinals who gather from around the world to elect his successor from among themselves. Sequestered within the claustrophobic confines of the papal residence in Vatican City, alliances are formed and truths are unearthed as a few of the men plot to become the next Pope. As all contact with the outside world is forbidden, the Cardinals wrestle with who among them will shape the future of the Catholic Church and influence millions of lives globally. There are those who want a Church that will embrace progressive change, but there is also a very vocal and powerful contingent that hopes the new Pope will revert to more conservative, regressive policies.

Berger displays a keen eye for detail and a style that perfectly complements the story’s gravity, with every tense moment and game of chess taking on a critical urgency that reflects the weight of the decisions being made. The film’s portrayal of the complex, ritualistic procedures of the conclave is fascinating, and a great deal of that is due to the strong performances from the cast. Ralph Fiennes, Stanley Tucci, and John Lithgow, all portraying men who become key figures in the election, lend an intensity to the ideological battles at play. The men play off each other well, creating a dynamic that builds much of the dialogue-heavy film’s drama. In a supporting role, Isabella Rossellini gives one of the more memorable (and nuanced) performances as the silent but powerful Sister Agnes, a woman whose presence drives home the themes of tradition colliding with modernity.

This look at the intersection of faith, power, and politics is best enjoyed without prior spoilers to fully appreciate its dramatic impact, especially as it considers the role of religion in a rapidly evolving world. With a story that unfolds over a tension-filled 72 hours, “Conclave” expertly blends elements of political drama, religious ritual, and personal conflict into a stunningly effective film. This look at the intersection of faith, power, and politics is best enjoyed without prior spoilers to fully appreciate its dramatic impact, especially as it considers the role of religion in a rapidly evolving world.

By: Louisa Moore