Good enough for a festival circuit that’s filled with film-literate audiences, but it may prove too bland and boring for the home streaming crowd.

Good enough for a festival circuit that’s filled with film-literate audiences, but it may prove too bland and boring for the home streaming crowd.
Ever wondered what it would look like if you strapped a camera on the back of a wild hyena and set him loose? Look no further than “Mile 22.”
Misogyny rears its ugly head throughout, and there’s a particularly unpleasant riff on feminism and female empowerment that just plain makes me angry and makes my blood boil to think C.K. himself penned it.
“Deepwater Horizon” movie review by Screen Zealots