A disappointing sequel that leans too heavily on tired gags, lazy callbacks, and cameos that exist solely to poke the audience and say, “hey, remember this guy?”
A disappointing sequel that leans too heavily on tired gags, lazy callbacks, and cameos that exist solely to poke the audience and say, “hey, remember this guy?”
This wholesome, perfectly cast film does the source material justice, creating a timeless coming-of-age-story that brings Judy Blume’s classic book to life.
A coming-of-age film that feels casually comforting, like a warm blanket of nostalgia.
Sandler’s character is an irritating scumbag and while I guess that’s what he was going for in his performance, it’s shrill and unpleasant to spend time around this loser.
The sleazy, bleak, and primal low budget crime thriller “Good Time” feels like a cinematic punch in the face.