“Beirut” feels like a throwback to old school political thrillers of the past and delivers little fresh or trendy by way of its story line.
“Beirut” feels like a throwback to old school political thrillers of the past and delivers little fresh or trendy by way of its story line.
While this may not be one of Anderson’s very best works, it’s still a brilliant, charismatic, beautiful looking movie.
It tries so hard to be progressive by flipping the script from horny teenage boys to horny teenage girls, but the gender-swapped spin still feels old and stale.
The biggest mistake you’ll make when watching “A Quiet Place” isn’t making a sound — it’s using logic to overanalyze the story.
The legendary Steven Spielberg dishes out a liberal serving of memberberries piled-high atop a generic, hollow bowl.
“Flower” mixes teenage angst with bouts of (supposed) dark comedy that takes inherently risky material and nearly destroys it with utter implausibility.