The film tries way too hard, often forcing eccentricity and a sense of whimsy where both really are unnecessary. It’s still a crowd-pleaser, though.
The film tries way too hard, often forcing eccentricity and a sense of whimsy where both really are unnecessary. It’s still a crowd-pleaser, though.
Perfectly cast, beautifully written, acted, shot, and edited, this quiet and thoughtful film is a rare gem of indie cinema.
A vibrant, sassy, and smart film about the way our relationship with our families can not only shape and define us, but also tear us apart.
Equating emasculation with empowerment, the film sends a dangerous message that women can’t be powerful unless men aren’t. It’s dated and sexist rather than smart and provocative.
This queer horror / romance feels listless and unoriginal, which is a shame because the talent is evident both in front of and behind the camera.
Extremely tedious, slow-moving, and repetitive: but that doesn’t mean the film shouldn’t be celebrated for the work of art that it is.