A deeply meaningful and touching story of honor and brotherhood that’s wrapped up in an intense wartime thriller.
A deeply meaningful and touching story of honor and brotherhood that’s wrapped up in an intense wartime thriller.
The real horror of it all is the way director Chris McKay blows what should have been a slam-dunk premise.
The film’s themes are used as a plot device rather than in a meaningful way, and more could’ve been done with the ideas about retribution for abuse and the cycle of violence that is often fostered by toxic relationships.
This dialogue-driven supernatural drama about being haunted by the metaphorical (and literal) ghosts of the past has a wildly unpredictable story and substantial themes that make it a thinking person’s thriller.
A very human story that reassuringly points out that it’s okay to not be okay. It’s okay to feel lost. It’s okay to get off-track. Most of all, it’s okay to be your own woman.
Takes a thoughtful, interesting, and cautionary tale about the perils of modern dating and tacks on an icky third act that results in a massive misfire.