Throughout this two hour visual verite feast, you’ll be hit with moments of joy and sadness, inspiration and despondency, and a cinematic romanticism so goddamn riveting that you just can’t tear yourself away.
Throughout this two hour visual verite feast, you’ll be hit with moments of joy and sadness, inspiration and despondency, and a cinematic romanticism so goddamn riveting that you just can’t tear yourself away.
After a several-year hiatus, John Kramer, a/k/a the Jigsaw Killer, is back. Or is he?
It’s far better than a television movie of the week, but it’s no game changer in the world of cinematic biopics.
“Happy Death Day” is an absurdly simple but appealing concept-driven movie.
“Suburbicon” isn’t a bad film, it just fails to live up to its potential.
“Thor: Ragnarok” is big and loud, but at least it’s not dumb — and that makes all the difference.