What does it say about us as a society that “The Post,” director Steven Spielberg’s insightful and intense historical retelling of the Nixon White House’s attempt to silence the press, is sadly topical today?
What does it say about us as a society that “The Post,” director Steven Spielberg’s insightful and intense historical retelling of the Nixon White House’s attempt to silence the press, is sadly topical today?
Misogyny rears its ugly head throughout, and there’s a particularly unpleasant riff on feminism and female empowerment that just plain makes me angry and makes my blood boil to think C.K. himself penned it.
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The film is devoid of all merriment and holiday fun, and the cast (and audience) deserves far better than this overstuffed turkey of a movie.
There are plenty of moments in a teenage girl’s life where the trivial becomes momentous and the momentous becomes devastating, and they are presented here with a poignant and compassionate vibrancy that I’ve rarely seen so accurately captured on film.
This sobering look at soldiers returning from war and the horrific emotional impact of combat suffers only briefly from flashes of predictability and overall presents a realistic portrait of PTSD.