The distinctive European flair in director Fabian Stumm‘s “Sad Jokes” takes a bit of getting used to. Once you get settled in, the tragicomedy delivers an eclectic mix of slapstick, visual gags, and physical humor. This lighthearted atmosphere is short-lived, however, as the tone quickly shifts gears, diving into a more poignant narrative that explores the complexities of relationships and personal growth.
Set in Berlin, the story is all about Joseph (Stumm), his close friend Sonya (Haley Louise Jones), and the people who come in and out of their lives over a brief period of time. There are various ups and downs, from Joseph’s recent breakup and continuing struggles with his latest film project to Sonya’s ongoing battle with depression. This is an authentic and beautiful friendship that’s portrayed with a lot of depth, expressed through a range of absurd and grounded vignettes.
Joseph is portrayed as a highly relatable figure who fits in everywhere but belongs nowhere, a dynamic that should resonate deeply with just about everyone in the audience.
Stumm’s writing is sharp and insightful, with dialogue that reflects a blend of cinematic influences. The film’s transitions between humor and heartfelt drama may be jarring at times, and not every narrative thread lands perfectly. Where the script excels in its authenticity, presenting a true-to-life portrait of modern queer experiences and the relentless pursuit of creative fulfillment.
While some elements of “Sad Jokes” may falter, the film’s genuine portrayal of human connections and the resilience required to maintain them makes it feel more meaningful than most.
By: Louisa Moore
Screen Zealots 