Director Jason Miller‘s “Not Not Jazz” dives into the intricate and wholly improvisational creative process of the jazz fusion, “avant-groove” band Medeski Martin & Wood (MMW) as they record a new album at the famed Allaire Studio, twenty-five years after their formation. Directed with an eye for detail and a love for the genre, this documentary is a niche offering that caters primarily to diehard jazz enthusiasts and dedicated fans of the band. It’s interesting up to a point, but there is no way this film will be able to hold the attention of those who don’t fit into either of these target categories.
The film provides an in-depth look at MMW’s unique and influential approach to music, highlighting their ability to blend avant-garde improvisation with accessible groove-based jazz. Emerging from the vibrant New York jazz scene in the early ’90s, the documentary explains how MMW has earned a reputation for innovation and experimentation. I have to be honest: I had never heard of these musicians before watching this film, and MMW is an unusual choice as subjects for a documentary.
For those who revel in the creative improvisational nature of jazz, Miller offers a fascinating glimpse into the band’s studio sessions, showcasing the spontaneity that has come to define their music (the guys have been known to do a lot of musical improv at their live concerts). The documentary captures their goal of continuing to push musical boundaries while exploring new sonic landscapes.
I cannot stress enough that this is very much a documentary for a specific audience. Its appeal is limited to those who have a deep appreciation for jazz’s intricacies or a pre-existing admiration for Medeski Martin & Wood. While the film’s exploration of the band’s creative process is interesting, it’s a lot of jam sessions and riffing. I guess you could say Miller fully embraces the experimental methods and musical philosophy that define MMW themselves.
While the film is aimed at a very small audience, it is a well-crafted homage to Medeski Martin & Wood’s innovative spirit and aptitude for improvisational methods of making music. The dedication to their craft is admirable, but since the documentary features such highly specialized content, it’s best suited for a specific segment of diehard jazz geeks and devoted fans of MMW rather than mainstream audiences.
By: Louisa Moore
Screen Zealots 